Start your year right

Admittedly this wouldn’t work on me cos “Sister Ray” is one of my favourite songs and I would be dancing (or at least making bodily movements approximating to same, seeing how I can’t really dance as such) for the whole length of it if you did that. Still, if your friends are less musically advanced, it might be worth trying on them, especially if you use the Legendary Guitar Amp Tape version:

I think they’ll stain more than just the carpet if they hear that. While we’re on the subject:

White Light/White Heat has always been my favourite Velvets album. My first encounter with them was actually a TV documentary about Andy Warhol which featured a bit of performance footage by them at the Factory (the famous one where the police bust them). I was, accordingly, confused at first by the debut album cos it didn’t really sound like that (I do think it’s a great album, of course, but it took time to come round to it), whereas WL/WH immediately sounded like I’d always thought they would, going by that short bit of film in the Warhol thing. Probably the most obnoxiously recorded album made to that time, and it wouldn’t have much competition for some time to come (its few immediate competitors that I can think of offhand include the Cromagnon album—which the fellow behind the “Sister Ray” video above also has a video on—and High Tide’s Sea Shanties, both from the following year). Favourite VU album, one of my favourites by anyone.

So that was the old year

One of the greatest pieces of growing up I’ve achieved was finally recognising that I don’t HAVE to “do something” just because it’s the 31st of December. I always used to feel the need to mark the occasion, mostly because I was younger and “doing something” for NYE seemed important for some reason… to which end I actually went into the city for the fireworks a couple of times, 1994 and ’97 if I recall rightly—a sign of how much younger I obviously was if I found that tolerable enough to do twice, I obviously had far more patience then—but eventually the sense of having to do something grew wearying. And going anywhere also involved the potential difficulty of getting back home again.

Eventually I kind of snapped one year when the taxi I booked to take me to the club I was looking forward to going to never showed up, and thereafter I resolved that I wasn’t leaving the house again on NYE unless I had a really fantastic place to go and someone to take me there and back. I have stuck to that since then (friends are running a club in Newtown I’m sure I’d have a nice time at, but I can’t be arsed enough). So my NYE has been writing this gibberish, watching Dinner for One for the umpteenth time on SBS, having one of those Coles microwave curries for dinner… a life of excitement, hey.

Anyway. I made it through a whole calendar year without any medical procedures being done to me other than a normal blood test. Haven’t actually been operated on as such since 2021, but last year (there’s still a few hours left in which I can call 2022 “last year”) I had an invasive-ish heart exam that meant spending several hours at POWH. Mind you, lying back and watching the ceiling move when you’re on fentanyl was surprisingly entertaining. Otherwise, I spent four years in a row (2018 to ’21) going to and from POWH to get my left leg cut open for blood clots. It’s been nice having a whole year off from that, though I suppose I should actually go and get scanned again to make sure it’s still OK and not going to kill me… But yeah, I suppose the highlight of 2023 really was not doing something rather than something I did. Perhaps in 2024 we can change that…

Why don’t we end the year as I started it? The first proper post I made after the introductory one was We Rate Dogs’ Dogs of 2022 video, and I think the 2023 version seems like a good note on which to end things for 2023. Good boys and girls all.

A little detail I’d missed…

So remember how, just a few weeks ago, Oolong was copping mockery for this glorious post? For some reason, it’s only just struck me now after looking at it again that it’s actually even stupider than I first thought.

An armoured personnel carrier from the future.

What “Bladerunner” would have driven.

But when did Blade Runner take place?

…OH.

Which was four years in the PAST when Oolong said Cybertruck(kk) was from the future.

I don’t know how I didn’t pick up on this at the time when this silliness started circulating, but goddamn I’m pleased that I’ve finally done so.

Once more with stealing

Needless to say Hbomberguy’s now-famous plagiarism video has provoked a lot of discourse on Youtube, some of which I’ve watched, but this particular example offers a different perspective on James Somerton: where Harris looked at Somerton’s plagiarism and Todd Nathanson looked at his misinformation and lies, Courtney and Royce look at, frankly, giving him money:

This video’s more about Somerton’s business practices with his production company Telos Pictures, which seem to have been as shitty as anything else. These creators have further particular beef with him over what they consider his poor showing when it came to asexual representation (I did rather enjoy the bit where she says how they gave him a bunch of potential resources and he never plagiarised any of it), but their more obvious problem is that, frankly, they put money into Telos, a fair bit thereof, and the return rhey got from doing so was… well, bugger all.

The more I hear about this character, the less I like him, and the detail about him literally calling the cops on some of his critics for “harrassment” makes me lose that rather pointless feeling of vague sympathy for him I had after watching Todd’s video. I can’t do it. He’s brought all this shit on himself and HE FUCKING DESERVES IT. And his Fandom page that I linked previously has been updated with some new bullshit, looks like he may have engaged in catfishing and some sort of scam on Patreon and he may never have got those business degrees he started out his career with (having sold himself as a media expert before YT). I’m kind of glad I never watched any of his stuff now…

The surface of… what?

Who even knew Jupiter *had* a surface?

I’m glad I snapped this cos I have a feeling Lawrence will soon get very tired of people pointing his error out to him and delete this. I did see him replying “typo” to a few of the commenters doing that, but, my brother in cosmology, a typo is when you go to write “Pluto” and it comes out as “Pulto” or something. When you go to write “Pluto” and it comes out as “Jupiter”, that’s… I don’t know what but I’m sure there’s a technical term for it, makes you look like a bit of a dickhead anyway…

Anyway, here’s the video he linked to:

Some prat responded to him by basically asking what purpose these photos serve and what do we learn from them. I mean… there’s a ton of stuff NASA learned from these pictures cos they’re professionals who know how to do that, but for the rest of us, isn’t it enough that the photos look amazing? That we can look at the surface of a (dwarf) planet whose very existence was only confirmed less than a century ago and that we can’t even see from here on Earth without considerable technological assistance? I find that head-spinning enough without considering the meteorology, geology, etc of the place; sometimes “beauty is truth” is indeed all ye need to know…

New Pat Finnerty!

Beato! To be perfectly honest, I’d feared Pat might have hung up the pedalmobile, but here he comes again just in time with a worthy opponent… and, to be honest again, I’d almost forgotten the fuss about Jason Aldean from a few months ago, but that seems to be the way the world in general works these days, there’s always something new happening that makes us forget what happened not that long ago… I mean, remember the Titan sub? Good times…

Anyway, when Aldean was having his 15 minutes, I noticed the controversy surrounding him but somehow I managed to avoid actually hearing the song or seeing the video… and I now know that it’s pretty fucking awful, and Pat goes into quite some detail about how and why it is, trying to understand the possible reasons for its appeal and finding none. There’s an amazing bit of live footage where Aldean just cannot hit the note he’s supposed to, and I’ve never been very good at actually telling when something’s off-key… but in Aldean’s case even I couldn’t miss the fact that he was missing the mark. Yikes. So good to see this today in my YT subscriptions, it was just the sort of thing I was needing.

Somerton redux

YIKES. Honestly, if that Hbomberguy video hadn’t already driven James Somerton off the Internet, this one would’ve ended him on YT; as it stands, this serves neatly as the final nail in the coffin. It comes from a channel called Todd in the Shadows, and Todd Nathanson doesn’t usually do this sort of thing, his channel’s more about music, but he was sufficiently offended by something Somerton posted that he felt the need to make this… and he acknowledges knowing Harris was doing his video about Somerton and that it was something of an inspiration, but the two videos take separate approaches so they’re both worth watching.

Todd’s video is more about the facts than the knocking off of other people’s work, and the sheer amount of things that he’s caught James being verifiably wrong about is just… oy. Why, though, would James lie about something like this that can be, you know, independently verified? (I use the word “lie” because Todd assumes malice rather than incompetence in almost every case here.) Well, he has a Fandom wiki entry that currently reads in part:

He generally has left leaning political views, although has made multiple statements condemning a group he calls “straight white women.” This is likely a masking of misogynism: focusing on their race and sexuality in an attempt to deemphasize the gender aspect, and thus, making it appear acceptable him to make statements that would be hateful and bigoted if these qualities were not brought up. James has also misgendered transgender creators in some of his videos, as well as erasing mentions of the word transgender when covering transgender specific topics. He has also described the queer community at large as “LGB,” a transphobic dogwhistle.

So there’s a certain propensity, as noted by both Harris and Todd and various of their commenters, towards James promoting himself as a champion of the LGBT but arguably only really caring about the G and trying to paint the L, the B, and the T as historically having had an easier time of things than gay men have had. Haven’t seen enough to really confirm that for myself, but that seems to be the broad consensus about how he works as a queer creator.

It still begs the question of why he’s telling these bullshit stories. I can kind of understand him calling The Rocky Horror Picture Show the film that saved 20th Century Fox if he’s trying to push queer art and history (despite it not actually being history, cos RHPS was bugger all of the sort). I don’t even remotely understand his retelling the origins of messrs Gaiman & Pratchett’s Good Omens, which has been told by Gaiman at least (not sure how much Pratchett wrote about the subject), and Somerton’s telling is… kind of entirely different from Gaiman’s, and Gaiman strikes me as the sort of creator who’s actually honest about these things; what’s the point, therefore, of James spinning his bullshit narrative?

I don’t understand a lot of this stuff, and consequently I’ve had great difficulty articulating that lack of understanding, I’ve cut and/or rewritten huge parts of this post while writing it since last night. What is the point? Cos these details are all things James Somerton could’ve verified before stating them as fact, we know cos Todd managed to verify them; James not doing so makes him look kind of grossly incompetent at best. That should be enough to end whatever credibility he had on YT. And what if it was deliberate…? Was he just hoping no one would fact check him? Why did he do it at all?

Having given more thought to the situation, I find myself increasingly perplexed by it, but also oddly sympathetic somehow towards James Somerton. I sense some sort of sad personal flaw that makes him feel like he’s less than he wishes he were—a feeling I know myself better than I’d like, to be honest; I’m sure it’s a thing that drives a lot of people really—but it also made him try to be something in a way that he really shouldn’t have done. So whatever sympathy I might feel really is wasted, cos this shit is something he’s ultimately brought on himself. And there’s still something kind of sad about it.

Oh, and one final irony: The Algorithm suggested one of Somerton’s videos while I was watching Todd’s as something I might like to watch next. I decided against it.

New Hbomberguy!

GODFUCKINGDAMN, I’ve long wished that Harris would make videos more often than he does cos they tend to be really interesting, but when he springs a nearly FOUR HOUR extravaganza on us, I can’t accuse him of slacking off. (And the fucking thing’s already had two and a half million views…) Most of this is about one creator in particular, a guy called James Somerton, who was sprung by one of his own fans when she caught him plagiarising her work. I’m not sure that I’ve ever actually watched anything by the latter (I might’ve seen one or two but can’t remember offhand), but I have had him recommended to me by The Algorithm quite a lot and I think I’ve got quite a few of his videos in my YT watchlist. Think I might be removing those now, much like he seems to be removing himself:

Woof. I know Harris tells him “delete your channel” at one point in the video, but I didn’t expect Somerton to actually go to ground quite so hard so soon. And that’s not the only video about him that’s just appeared on YT in the last couple of days; I’m just going to watch the other one now…