Premier Chris Minns says Newcastle Writers Festival ‘crazy’ to invite author Randa Abdel-Fattah
New South Wales Premier Chris Minns says the Newcastle Writers Festival is “crazy” to invite Palestinian-Australian author Randa Abdel-Fattah to speak, after she was removed from a similar event in Adelaide.
Dr Abdel-Fattah was uninvited from Adelaide Writers’ Week, part of the Adelaide Festival, last month after pressure from the South Australian government.
That decision set off a chain of events resulting in the resignation of the Adelaide Festival’s entire board, and the writing event being cancelled.
Mr Minns said on Friday he did not agree with the Newcastle Writers Festival’s decision to book the author, but he would not intervene.
“I don’t know why these organisations do it,” he said.
“I think they are crazy to invite that author when you think about how divisive it is, and how difficult it would be for the organisation as a result of the notoriety.”
To give him credit, Minns does seem to be handling the situation differently to Peter Malinauskas, at least insofar as I can see he hasn’t mentioned Bondi yet. And, to be sure, the event organiser has also said that Minns hasn’t put pressure on them to cancel Abdel-Fattah’s invitation and that they wouldn’t be doing so… but whatever, apart from that, it shows that not many lessons have been learned from the Adelaide debacle, especially when it comes to, frankly, not looking like you’re specifically targeting this individual AGAIN for the heinous crime of having a Palestinian background (I mean, I don’t know that Randa Abdel-Fattah is necessarily a great or even good person as such, but her ancestry does seem to be the problem people have with her as much as anything she’s actually said)… and the timing could’ve been better given that Israel’s president Isaac Herzog—who holds all Gazans responsible for the October 7 attack and said it was their fault for not overthrowing Hamas—is coming to town, though whether or not that’s the work of the festival or of Minns I don’t know. Either way, nice to see we’re still “avoiding” divisive debates in this country…










I know these magazine covers were meant to be kind of eye-catching, but this one really scored on that point… “BEHEADED AND CASTRATED ALIVE” (in big white capitals that stand out strongly from the other headers)? In that order? Did they castrate him before beheading and killing him? Or did they behead him first and he somehow remained alive while they castrated him next? If the latter, how long did Joey live without his head and what was the point of castrating him given that he wouldn’t have been able to feel it? Was there a connection with the bisexual thrill-killer, and what difference did it make that the latter was bi? Was Maggie Boo involved somehow? What about the axe murderer? How did the cover artist miss the opportunity to have a mass of blood dripping off that knife? Did the publisher think that would’ve been in overly bad taste unlike the rest of the contents? So many questions…


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