
Oh the weather outside is shiteful
And the rain is not delightful
And the gutter’s going to let it go
Overflow, overflow, overflow

Oh the weather outside is shiteful
And the rain is not delightful
And the gutter’s going to let it go
Overflow, overflow, overflow


So the Internet villain du jour is Substack, self-described “new economic engine for culture”, largely because of the above comment. Substack has a Nazi problem, to quote the title of an article on the subject by Jonathan Katz:
At least 16 of the newsletters that I reviewed have overt Nazi symbols, including the swastika and the sonnenrad, in their logos or in prominent graphics. Andkon’s Reich Press, for example, calls itself “a National Socialist newsletter”; its logo shows Nazi banners on Berlin’s Brandenburg Gate, and one recent post features a racist caricature of a Chinese person. A Substack called White-Papers, bearing the tagline “Your pro-White policy destination,” is one of several that openly promote the “Great Replacement” conspiracy theory that inspired deadly mass shootings at a Pittsburgh, Pennsylvania, synagogue; two Christchurch, New Zealand, mosques; an El Paso, Texas, Walmart; and a Buffalo, New York, supermarket. Other newsletters make prominent references to the “Jewish Question.” Several are run by nationally prominent white nationalists; at least four are run by organizers of the 2017 “Unite the Right” rally in Charlottesville, Virginia—including the rally’s most notorious organizer, Richard Spencer.
This resulted in something called Substackers Against Nazis, an open letter published by dozens of Substack writers unhappy with the Nazi situation; this was in turn answered by another open letter saying the problem’s overstated that was co-signed by a number of… interesting names like Abigail Shrier, Bari Weiss, Julie Bindel, Konstantin Kisin, Matt Taibbi, Paul Kingsnorth, Peter Boghossian, Richard Dawkins, and various others I’m not familiar with (plus Ted Gioia, who I otherwise thought was and is cool from what I can see). I decided to click one of those names I didn’t recognise and got… whatever this fuck this is:
Have you ever noticed the Substackers Against Nazis post is on a blog called The Racket by Johnathan M. Katz? It’s full of things that read as very Antisemitic to me, and it gets famous just as the Israel-Palestine Conflict is at its worst with October 7th! Forget Substackers Against Nazis, it should be called Antisemites Against Nazis! It’s also all related to The Atlantic wanting to demolish our independent platform by calling us Nazis, especially the Jews and the people who support Israel. Not that calling Jews Nazis is anything new.
Katz is Jewish himself, it should be added. Calling Jews antisemites… THAT’s something you don’t often see. Another of Katz’s critics is his self-avowed friend Ben Dreyfuss (you may know his dad), for whom the problem isn’t Nazis but the unserious liberals trying to deplatform them:
I don’t know that anything has made me more annoyed by this debate than last weekend when I saw an earnest, relatively offline, old Jewish writer make the mistake of thinking that the “Nazis on substack” open letter was using the term “Nazi” in any way that had to do with their understanding of the term. They were sad and scared and horrified! But also confused and looking for an explanation. They hadn’t seen any of the people who had killed their parents here.
I didn’t respond to them because I have a horse in this race and felt like someone who is as earnest as they and more unbiased than we should help them out. But what I would have told them is: don’t worry. They don’t mean actual nazis. They mean unreconstructed conservatives who could have any number of beliefs.
That isn’t how that dude understood the term “Substack Nazis.” That dude thought there were real popular Nazis on here putting Jews in camps.
I shouldn’t have to tell Ben this, but the Nazis didn’t start with death camps. They started with a newspaper. You know… words. Words they used to promote their ideas before taking direct action. Curious, too, that several of these “unreconstructed conservatives” would choose specifically Nazi imagery and iconography, or call themselves a “National Socialist newsletter”, if they weren’t at least Nazi-sympathetic. Just because they’re only talking about the JQ rather than personally spraying Zyklon-B at every Jewish person they see doesn’t mean they’re not Nazis. Or are they only “real” Nazis if it was before 1945 or something?
Anyway, the anti-Nazi open letter finally provoked Substack’s founders to respond, part of which response is cited in the picture up top… basically, “we don’t like Nazis either but they don’t bother us enough”. Which… was, frankly, far from the best answer they could’ve given. Business Insider is not having it, noting that, because Substack gives users the option to monetise their writing, in return for which they take some amount of what you make from doing so, they’re making money off the monetised Nazi blogs too (maybe not much, but any is too much). And The Verge were even less charitable:

I mean, maybe the problem isn’t as bad as some of the critics of the Substackers Against Nazis seem to think it is. Maybe there’s actually not a lot of Nazis on Substack, and maybe they don’t have a big audience, and maybe they don’t make much money, maybe we don’t really have much to worry about. Maybe. The Deutsche Arbeiterpartei had only a few dozen members when it was founded in 1919; by the end of 1920, NSDAP (as it was by then) membership was around two thousand. Who can say what we should or shouldn’t be worried about.
Anyway, I actually considered Substack myself as an outlet when I was considering becoming a blogger again near the end of last year. In the end I decided it wasn’t really suitable for what I wanted to do (though, ironically, a long post like this would’ve been ideal over there). And though I’m sure WordPress has issues of its own, I think I still made the right decision in the end. For once.



December 21st also marks the 60th anniversary of Terry Nation’s best-known creation, though we wouldn’t see them in full until the following episode. And I still prefer this scene in black and white.
I don’t remember exactly when (or how) I discovered Blake’s 7, but I do know I was reasonably young and it was the latter half of the fourth and final season (“Games” being the first episode I watched). I was confused by why the show was named after a character who never appeared, until the episode called “Blake” aired. Oh. Finally going to see who this Blake is… oh. He’s dead now. Actually, so’s everyone else. That was… yeah.
I have, of course, seen the entire series since then, and when you see “Blake” after the preceding 51 episodes—and particularly after the havoc in “Warlord”, the immediately preceding episode—it’s even more bracing and terrifying. With all due respect to Paul Darrow, I’ve never believed the theory that the Liberator/Scorpio crew were merely stunned at the end of proceedings; I don’t think that shootout leaves any opening for further stories (and with Blake himself definitely dead, it would’ve felt even stranger continuing the show with his name in the title). What a way to end a series… and knowing how it’s going to end doesn’t make it any easier somehow; I recently saw a reaction video on Youtube by someone who DIDN’T know what was coming and… well, she was quite distressed, shall we say. I can only imagine how it hit its initial British viewing audience 42 years ago…
Interesting interview with Hbomberguy over THAT video:
For Harry, the shocking success of his four-hour video has itself brought a few internal issues surrounding a pledge he made to give away a portion of its profits to those who had been plagiarised.
“We said we were going to give away all the ad revenue that video raised and now because ad revenue’s higher in December, the video is four hours so there are more ads, and a lot of people have watched it, it’s an order of magnitude higher than we expected it to get.”
This means that the payouts Harry and the Hbomberguy team promised have increased dramatically, and, coupled with Somerton’s reaction, things have become much more hectic.
“Now, like, taxes are involved,” Harry says. “This is a substantial amount of money to be taxed on before we give it to people. It’s actually made it harder for me to do the intended purpose of the video.
“My wonderful producer, Kat, has had to set up a database to keep track of all of the things that were stolen from just to make sure we have everything correct… This isn’t like 300 bucks, which is what we expected it to be, this is a lot more.”
Good to know that something worthwhile has come from the debacle. The REALLY unexpected outcome from the whole thing, though, is surely this:

I will indeed be DAMNED. James Somerton returned just two weeks after he was blasted off the Internet to… apologise? And to reactivate his Patreon, too, but this video is what’s drawing most of the attention. Understandably so. And… YIKES.





These last two items raise an important point. I did try and watch Somerton’s video, and he basically started by talking about, frankly, having been hospitalised since Harry’s video came out. And I couldn’t watch it beyond that point, not because that’s, you know, grim as fuck (I’m assuming he’s telling the truth about this, I find it believable and I feel the people I’ve seen questioning this point are being unnecessarily uncharitable), but because I knew what the tone of the rest of the video would be if this was how he was kicking it off. From what I can see, I don’t appear to have missed much.
You may have noted, though, that my first screenshsot was of a reupload of the video… that’s cos not only did James upload what appears to have been one of the worst Youtube apology videos ever (a truly cursed subgenre), he also removed it a few hours later. Unsurprising, given that all the comments I saw before he whacked the video were bracingly negative. Alas for him, it’s so easy to download YT videos these days, and Somerton’s well enough known now, that someone was bound to save it in case he did that. Mind you, I’m still not going to watch it. I feel somehow that even watching someone else’s save and reupload of his video is just going to encourage him…
This is actually not the first time I’ve seen 4’33” done, oddly enough, though it is the first death metal version I’ve come across. Exceedingly impressed by the collective straight face they maintain throughout.
The French do Christmas in a more interesting way than some of us…
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